Showing posts with label .NEF files. Show all posts
Showing posts with label .NEF files. Show all posts

Saturday, November 19, 2016

ON1 RAW coming ...

About a year ago I ran across a program called ON1 Effect 10.5 Free.
I thought I'd try it. Free right? It was safe, no bugs no malware but it opened up a new style of editing photography and creativity.


I found it extremely useful in adding a little special touch to my still life work.



Soon I was hooked into trying ON1 10.5 the program itself. At first I wasn't quite sure on how to use it, but I soon found it fairly user friendly.

After I watched some short clips which gave me helpful hints, I began to use the program more and more.

One day earlier this spring I wasn't paying much attention to the files I was going through and I opened ON1. I grabbed a .NEF file and opened it. A .NEF file is a RAW file shot with a Nikon camera.

Well jigger me switched.
Not only could I open a RAW file from the Nikon cameras, but I could open RAW files from both my Olympus E-420 and my Olympus EM5.


The file is opened and your RAW editing begins in Enhance. You are not editing your RAW file but leaving it alone and editing a copy.
Exposure, color, detail, all of those tools are before you.

Go to FX and your Enhancements are applied.

Now you have choices of edits that you can apply.


There are many presets and filters to chose from. I think the hardest part of ths is making choices.
However, in this shot I just wanted to bring out the little fern curls a bit better.


Imagine my relief when I found out I could do effortless masking.

At this point if you hit 'Save' your current working file is saved as a .PSD file that you can transport to another program as Adobe Photoshop or PaintShopPro and continue any edits.

Export will allow you to save the file as a .jpeg, .TIFF, or PNG. 

If you want to go fancy and make an edit like my still life shots, you can add textures, gradients, borders, and even items from your own files. 

You own the program. You don't lease it. 
ON1 has great short clip videos to help you learn. 
I've used the portrait editing tool and let me tell you, it is as good as it gets. 

NO...ON1 has not paid me to write about this program at all.
I'm just that excited about using it.

Another very cool thing. I opened this photo of my son's dog.
And went to the drop down menu and was able to open up SilverEfexPro 2 and edit the dog in Black and White.

I do like the BW presets in this program also.

What is not to like about ON1 except that I'd never heard of it until early last spring.


Let me just say ON1 Rocks.

But, don't take my word for it, explore the free stuff now.
Check it out.


ON1 RAW will be released soon. 
"ON1 Photo RAW is the lightning fast raw processor, photo editor and plug-in collection all in one app photographers have been asking for. Unlike the current class of raw-based photo editors requiring catalogs, bouncing between apps for editing, and a subscription ecosystem, ON1 Photo RAW features a new, modern raw processing engine, tuned for today's sensors and graphics chips. Combined with our current set of tools, the next generation of ON1 Photo 10, will continue to work where you want, as a standalone app, a plug-in for Adobe® Photoshop® & Lightroom®, or a host app for other editing apps.
No Subscription Required."

Sunday, September 18, 2016

Taking photos/Random Thoughts

Of course there will always be the debate about how much editing is acceptable.
There will always be a huge debate.
To Edit or To Not Edit.

I am somewhat in the middle. A little editing can go a very long way. 

I like to take .RAW files now. I can breeze through them in CorelAfterShotPro 3 and get a good job done quickly. I guess I am plugging Corel because they haven't gone the way of Adobe where you have to pay monthly to use Lightroom and CC.

I've also found ON1 to be extremely easy and fun to use.
It has the ability of taking my .ORF and my .NEF files and working with them and I can save them in a variety of file types.

However, I am always interested in improving what I do. I read up on tutorials and watch the occasional video. 

One of the items I see floating around the internet is videos that teach you in certain programs of how to change the sky in your photo that you've taken.
Yikes! Okay, that is fun and it can add a lot of drama to a photo.

But when did we stop taking real photos? Or better yet, why do some folks post edit photos and spend more time on them in the digital dark room than they did thinking about taking the shot.

I've harped on this before. And I am as guilty as the next person for post editing shots. And perhaps I am all wrong too...

I have learned a few tricks that could help me get a more interesting shot than the conventional way. But swapping out skies seems a bit extreme for me.

I don't mind cloning out a small distraction, but going to the far end of the spectrum is a bit unrealistic.
So I don't know if I'd qualify as a purest ~ no, I am not. But I won't spend hours swapping skies, cloning in or out rocks, and other items on a photo.

I think about what I want to do, watch the weather for a perfect sky and then try to compose something that will work.

Here is an edit that is very obvious.
Here is another. Replaced sky added a moon, but it is all quite obvious.

Here is a shot I took a long time to think out and do. I took many shots on a beautiful morning. I used an Infrared filter and also did some shots with a ND filter.

I came up with this, edited to black and white.
[This shot was taken obviously before our house remodel.]

I like to do less as more.


I studied the lighting in this shot and went with what filtered through the window in the late evening out onto the porch.

I've done some pretty wild stuff, but always seem to come back to the basics.
I even once in a while go a bit overboard in exploring things like HDR.


Recently I've gotten an interest in bugs. I've read up on how some of the professionals get great 'insect' shots and learned about something called Image Stacking. Image stacking led me to Focus Peaking and searching out how to manual focus properly in an Automatic Focus world.

I'm making the circles. Landscapes, Macro, Panoramic, High Dynamic Range, Long Exposures, Still Life, and Infrared Photography, a bit of over the top artistic stuff, and then back to the basics.

All challenges to make taking a photo interesting and challenging at the time.

Edit? Of course. Have fun with it. 
After all when the debate dust settles, I guess it all comes back to the photographer and what the Artist Photographer wants to portray.



I guess if you are going to take photos, you just need to enjoy what you are doing.


Saturday, February 02, 2013

Impressions of Corel After Shot Pro

I decided to look into Corel After Shot Pro and see how easy it was to work with.  
I read and read and...read reviews about Adobe Lightroom 4 and how sometimes it was a bit slow and clunky.

Corel offers their product with a 30 day trail and an attractive price of $59.99 at the moment.

I found that I can shoot RAW files with my Nikons and my Olympus E420 and quickly edit them in a batch.  
I did all these photos as a batch with different settings and then sent them 'off' to be turned into .TIFF files to work with later.

The 'development' of the files took less than 4 seconds.
Okay, I was happy about that.
 
The program edits the RAW files but does not change them.  I even made 3 versions of one .RAW file [all saved quickly into fine quality .jpegs  ~~ not shown here].

Now I am not a techie, nor have I tried Lightroom 4, so I may have to really give that a go too.

The only camera that I have that isn't supported by Corel AfterShot Pro, was my Fuji camera with .RAF files.  No matter I can live with that small inconvenience, Corel may update their program to include it at a future date.
 

There are some fun features in this program that allow you to experiment with your photo.  The only drawback I can see is that you cannot add a watermark while working with them.  That is not a real big issue for me though.

The above shot was off color due to the bright snow, I did a quick check with the 'white' picker in Corel AfterShot Pro and bumped the saturation.  That was it.

You can also do non-destructive editing in layers.  Well, I haven't figured that out yet.  I've only been using it for 3 days.

The black dog in this photo was totally blown away yet I was able to save her image.  I used Corel to properly expose and bring back the black blob of a dog...then I easily sent it to CS2 to use a Topaz Plugin to finish it off.

Lastly.  Speed.
Speed
Speed
I loved this program's speed!


As did my sidekick, Morris.