Exploring AI Art

AI in photography? Nonsense, right?
Well, I couldn't resist trying a program that allowed you to type in words and add a photo of your own, then pick a style using wombo ai art. I'd read about it from a review on new AI art which was pondering the relevance or non relevance of new ways of creating art. 

Is it real art? Is it not real art?

The consensus in a way is that it is not 'old' art in a sense but a new kind of art. 

I'm ambivalent regarding that. My conclusion is using AI as a means to an end can be art as long as the 'artist' is in control of manipulating the final piece.

I'm one that has explored computer generated art in the past and enjoyed using it. 

So....

Here is the original photo I used.

I typed in Scary, End of the World, and picked the Malevolent Style.

I didn't expect I'd really get anything I'd like. After all AI isn't really quite art or is it?

The result:

I sort of liked it in an abstract way. But felt I could improve on it tremendously if I used some magical editing skills.

Crop/Resize/a bit of punch added and this was the result:

Still neat but not quite there. It needed something to tell more of a story and create a feeling.

I put it in DxO's Analog app and gave it some minor adjustments and a partial 'dirt' texture.

Clearly, my Grand daughter who is a gamer, would appreciate the final result. Dystopian, end of the world, creatur-ish, scary, out of the world...strange.

I stopped there because it struck me with the emotion of slight discomfort. 
Perfect.

I thought I'd try another one. I uploaded this with the key words: Forest Love and picked the Arcane setting.

Edit:

I tried an edit with a double exposure using the very same photo at the start of this blog. 

It's okay but I can think of better shots to use. 

This was an experiment in using DxO's analog double exposure edit which allows you to do this effect easily. 

It works quite well.

I couldn't leave well enough alone so I wondered what would happen when I used this shot:

This one was a bit too gloomy, but the result from the text I typed in was interesting. Instead of a forest, it looks like a city on doomsday.

I upped the 'influence' of the original image and got this which ended up looking like a painting with subtle tones.

It is sort of addicting to type things in and see what happens. The end result isn't always wonderful, but it is fun to see what happens.

Yeah.

You can tell that yesterday was hot, muggy, and awful! I spent the late afternoon inside mucking around with ideas and art exploration. 

Too dang uncomfortable outside.

Mr. Morris has a new clock

Mr. Morris decided that I needed to take a walk the other day. I wanted to check the mailbox on the ridge and any excuse to get out for a bit is a good excuse. Fresh air is good for you.
However we happened to pick one of those days that the winds were roaring overhead on the ridge.

I put on my fur fox hat and grabbed my camera bag [of course!]. Even though we'd had some very light snows, the overall color of the season right now is dull, drab, and dirty looking.

Dingy ~ Gloomy Drab Dark Dirty Shabby Squalid

This is the view down the private drive of the neighbor. Dull, dingy, dank, dark, and dirty looking. However to avoid the raging winds, I walked this way as the trees protected Morris and I from the biting cold.

Morris keeps having some pretty decent days. Most of his time is spent sleeping. He has a routine that he now keeps.
Up between 4AM and 5AM. Outside immediately. He wears a pet light so I can see him in the dark.
Breakfast must be served between 5 and 5:15 or he gets frantic.

One more outside visit and the couch is his for napping.

Between 2:30 and 3PM, it is time for activity. He walks around the house and grunts until I get dressed. He bounces around playfully and shoots out the door when I open it.

I have been keeping him on a leash since his last little adventure when he went home after about a 20 minute hike into the woods.
I brought the leash but let him off when we headed down the neighbor driveway. He was more of his old self. He'd trot ahead, then stop. Smell. And when I'd whistle he'd come on the run.

Since the view up the driveway seemed SO drab I thought it appropriate to edit it with some grunge textures. I used Topaz Studio to edit my files quickly and very easily. I actually didn't walk past the tree on the right as the winds whistled fiercely across the open area beyond.

I thought to myself that this was so ugly, it was almost beautiful in a way.

I watched Morris sniff around at the coyote tracks and the 'possum tracks. He trotted back and forth. I bent down to pet him and put him on his leash.

And this is what I got!

The little turd!

However to be honest, he does love to walk on leash out to pick up the kids at least once a week between 3 and 4PM. The route is the same as is the timing.
I can now count on this being a part of his routine. As soon as 3:30 hits, he will turn and head home.

I didn't mind this at all as I could see him trot up ahead. He went to the mailbox and made a turn down the hill. He sat on the porch and awaited my return patiently.

When I arrived, he calmly walked inside and stood next to his feed bowl.
He stared at me while I got undressed. As if he was trying to mind meld with me to let me know "food" was urgent.

Precisely at 5PM, Morris will stand in the kitchen and then walk to the couch. He goes back and forth. Eventually he makes a nest and settles in. If we walk into the living room to watch Netflix or something, he sighs deeply and gets off the couch.
He is adamant about laying between the two of us after we settle in.
I think he wants us to know that the couch/love-seat really belongs to him.

Morris still rules.
The Little Old Mr. Morris has a set of rules that must be followed by the rest of the members of 'his' family.

ON1 10.5 and ONRAW2017

I'm always looking for ways to touch up a photo in a fast an easy sort of manner. I don't like wild over editing, although I will plead guilty to doing it when I feel extremely creative.

I discovered ON1 Effects Free a year or so ago and installed it. I enjoyed playing around with it and then tried the 90 day trial of ON1 10.5. I found I was able to take .RAW files and edit them in the 10.5 version and I really enjoyed the ease of use.
When my 90 days were up, I bought the program.

This was a photo I did in 10.5:

I am not a huge fan of photographing buildings, but each year when I go to the Range to practice for work and Qualify, I go past this church.
I happen to really love photographing this little building.
I thought a vintage look would be fun.
So yes, this would be 'over-edited' but for my creative juices only.

I also sometimes like to work in layers. Imagine how pleased I was that I could layer and mask easily in both ON1 programs.

I normally wouldn't be altering a photo like this and adding extra textures to it, but I thought it would be nice to show how easy it really is to do in ON1.

Here is the original shot.

And then the peeling paint texture added:

I used "Overlay" and lightened it a bit in a layer above the photo, then use a handy little Bug Tool to keep the cup and beads from having the texture.

It was an interesting experiment.
Seriously? I like the plain and straight forward photo myself.

However, this series of edits only took me a few minutes to do. Which is the beauty of this program.
I also didn't have to take hours of Photoshop courses in order to learn how to do it.
I did review how to use this program from a few "Short Clips" from ON1.

I have to admit, I do enjoy being able to be more 'creative' with ON1, at least I can do it all in once place and do it quickly.

I absolutely adore how I can edit my Still Life work.

Still Life while the winds blow!

If you think I have a fancy studio for some of my still life work. Think again.

I do have a room now that I can gather my stuff together and leave it while I get distracted for something like, um, let's say, doing chores, making supper, or going hiking.

My go to backdrops are made out of simple cardboard, an old tablecloth, an old rug, and sometimes some velvet scraps I've had in my sewing stuff.

I have a bowl of beads and old fake pearl necklaces and other items that I toss into the mix. I bought a mix of flowers at Walmart that was a bit past its prime. The rose petals began to fall from the flower and I thought the petals were a perfect addition to what I was working on.

I have done most of my 'work' using the existing light from the bedroom window. On cloudy days the light is very subdued and on sunny days it is harsh in the afternoon.
I used a fold up chair and some black velvet for one shot. I leaned some black cardboard up so the pale wall wouldn't show when shooting the rose petals.
After I was done I realized I didn't have the perfect focus so this one really didn't make the 'cut'.

But the concept was nice. I did use some heavy handed editing to remove the dust and grey portions of velvet that showed up in the photo. I used the Perfect Brush in ON1RAW to help with that. What a handy and quick tool it is.

Before brushing...

Next time I try this I would like to have everything in much better focus.

I did end up with a very nice shot however after trying a few other things.

And....

Edited version below with texture from an abandoned building.

Arranging Still Life is still a mystery to me sometimes and I often don't spend a lot of time making an arrangement. It seems to work better if I don't think about it too hard.

So while the wicked winds blew outside, I was in the spare room playing with items.

My husband says I have too much time on my hands. He may be right this week as I was off for his surgery that got cancelled. However I did sell a piece of artwork so I guess it wasn't a complete waste of time.

And then there is my small skull collection...
Opossum in the middle and ground hogs on the outside.

Still Life on the Cheap

I just started a class in Still Life and this is week two.  At first I thought I was an idiot for trying something out of my comfort zone.

I like hiking, I like nature, I like outdoors so that is usually what my subjects are. I learned something from my father, as long as you had some light coming in from the outside, you could take photos on the inside of the house.

So I decided I'd go ahead and try 'Still Life'.  What could it hurt?  I could learn something and it is never bad to learn something new.

First here is my really expensive set up for my 'table top' shot I wanted to do last week.

Please note the helper in the photo.  Hedgehogs are common missiles when I am sometimes working this close to the floor.

However it was an overcast day and I was trying to make the best use of the light. I set up a white foam board behind the basket, which Morris promptly nosed down.
But eventually we worked it out and I came up with this.

I used an old lace curtain on top of a box.  I tossed in some carnations along with a card someone had given me. I put some coffee in the coffee cup and gave Morris a very stern look.  I set the camera to manual and used a tripod and remote to get the shot.  
I did use Topaz Glow to pretty it up a bit.

Not satisfied with just that as a shot, I set some other things up.  Barbed wire, a rusted clip and some brass bells on a ribbon.

I used more of a limited color in this shot and a narrow depth of focus.

Week two asks that we shoot a photo with negative space and the rule of thirds.

Here is how I set this week's shots up.  

Yes, a dresser, a white sheet, and a white board next to a window.

And I decided to go with a Valentine's Day theme so I added candy.

Oh darn.  That funny stuffed donkey just wouldn't leave my thoughts.  So I decided to photograph it too.

However the donkey turned out okay but the photo really seemed quite lacking. I wasn't that impressed at all, even if the idea was fun.
Well, simply put.  It had too much empty space!

Exactly what it was supposed to have.
So I changed it like this:

It sort of has a vintage feel to it yet doesn't feel so empty.

I stopped right here.  Too much messing around would probably ruin this.

So you can do some pretty impressive Still Life work without a whole lot of investment.
I just did and found out that I really enjoyed it.

Just make sure your photography assistant isn't going to grab your toy Donkey and run off with it.  Or decide that tossing a hedgehog into the works would make it look so much better.


I used AfterShotPro by Corel for the RAW files, I used Topaz Adjust for making the donkey look 'vintage', and PSPX7 [PaintShopPro] for the editing. CS2 for any additional work.

Texture added to the first shot from mercurycode at deviantart.

Phases

As fall quickly tries to fade with the huge winds of yesterday and today, I start seeing bare trees.  The frost has turned the squash leaves in the garden to an ugly dead looking brown.

So I try to not think of what I call 'the boring brown month of November' and look for odd things to do on cold windy days.

If I have a few moments to myself early in the morning, I decide to delve into some editing to amuse myself before going out to do chores.

This creepy looking abstract was made first in JWildfire then run through Google's Dreamscope.  I layered the original over the Creepy Copy and brought back some of the fractal.

There is no practical reason for doing this other than to occupy my mind with some strange art in the morning.  And to get my creative juices going.

I then took a rather very bland photo that wasn't quite in focus from last week's trip out on PeeWee's land and decided to see how far I could 'mess' it up.

I first added a layer I'd made of streaks of color, then overlayed that.  Next I added the Weave Texture and was pretty surprised at how it came out.
Lastly I added a sandstone texture and figured that was enough.

I like it in a way and am tempted to try some other methods, but I see other folks that are so excellent at this that I think I should stay with Graphic Art and with straight photography.

This year my interest has been more in landscapes.  Previously I went through a period of anything small or macro.

The smaller, the better.

In the winter, I am obsessed by black and white photography.

Right now I am desperate to keep trying to catch beautiful shots of the quick fading Autumnal colors.

However there may be a point that I will feel comfortable in 'shooting' people.  I may have to force myself there.

Kids are always easy and fun.  Not so sure about adults and weddings or Senior Shoots in particular.

Who knows, that could become a new phase for me one day.

Not Much Wednesday

Just a bit of messing around today.  I took a photo of my husband's Allis Chalmers sitting in the side yard looking rather pathetic.  
I thought I'd try a technique called Photoshop to Drawing or DTG.

Of course I didn't do the proper version of it, I had to mix it up with an layer of texture from Shadowhouse Creations.

I didn't actually do a real line drawing as I let some color seep back into it.
I'm not sure I'm done with this or will just scrap it all together.

Tonight Morris got to meet the new member of his toy box crew, Hoppy.

His first reaction was to grab Hoppy by the nose.
Typical Morris!

Tomorrow looks like a good day for getting some decorating done and some fresh air with perhaps a hike?
 
My snowshoes and over the lens goggles arrived Monday!  Now, let it snow, let it snow...let IT snow,...but not until after my trip to visit my family!

Review of Topaz Labs Plug ins

I was in the Halloween mood and I had a shot of the neighbor's cat I'd taken while doing a 'shoot' with the neighbor's children.
So here is the starting photograph.

Next I put it in Photoshop 7.0, yes, I have an ancient version, but it still works wonderfully!

I use my preset in Adjust that I call Spooky Adjust.
Next I duplicate the layer and rename it Simplify and it looks like this:

I still want to do something with the fur to make it a bit more abstract looking so I use Clean, again one of my own presets that I've come up while doing animals.  The difference is not much to most people, but to me, it gives a slightly more pleasing effect.

I duplicate this layer and use ReMask to pull just the head of the cat out.

This layer's opacity was reduced because I added Layer 3 with pumkins and Dry Times by Smoko Stock from DeviantArt for texture, along with Layer 4 which are Grunge Frame Brushes from Shadowhouse Creations and then blended it together.

It took quite a bit of experimentation.  At one point I realized that I really wanted the eyes to stand out more and not be covered by the texture or the pumpkins.  So I used the lasso tool to select the eyes from Layer 1, brightened them, and added them back into my 'clean my preset' layer.

 This looked pretty cool and I was very tempted to just stop here.  But I brought back in the other layers.

Here is what all the layers looked like before the finish.

I added some cracks with Obsidian Dawn Brushes [free!] for a bit more texture.  I erased out the Dry Times Texture in spots with a irregular brush with rough edges at about 35%.

Final:

And the before and after !